For two years now, Chennai-based photographer Naveenraj Gowthaman has been on a compelling mission to document the intricate lives of the tribes scattered across Tamil Nadu. His focus has been primarily on their vibrant festivals—age-old traditions that have stubbornly resisted the tides of change. Naveenraj is now set to unveil 35 stunning photographs from his extensive collection in an upcoming exhibition titled ‘Roots & Rhythms: Tribal Tales’ at the DakshinaChitra Heritage Museum.
The Masi Magam festival at Mamallapuram stands out as a poignant highlight in his collection. Captured through his meticulous lens, these photographs shed light on the lyrical beauty and vibrant essence of this significant tribal celebration.
Spanning various remote settlements, Naveenraj has immersed himself in the daily lives and cultural rites of tribes such as the Todas and Kothars in the Nilgiris, as well as the Irulas residing in Chengalpattu, Viluppuram, and Tindivanam. His commitment to this project coincides with World Folklore Day on August 22, offering timely insight into the annual festival of the Todas. “The Todas observe this festival to pray for a prosperous harvest in the coming year,” he explains. The two-day festival also includes a special prayer ceremony for cattle, particularly buffaloes, on the second day, emphasizing the tribe’s deep-rooted connection to pastoral life.
Naveenraj’s deep dive into tribal festivals also includes the vibrant Masi Magam festival celebrated by the Irulas, observed during the Tamil month of ‘masi’. “During this festival, the Irulas gather at the Mamallapuram beach near the iconic Shore Temple to offer prayers to their deity Kanniamma,” says Naveenraj. From his detailed recounting, it’s clear that the festival is a grand affair where both young and old unite to prepare pongal in traditional clay pots over firewood, later offered as a sacred offering to their deity. “The attendees also collect sea water to take back home, symbolizing a blessing from Kanniamma,” he adds.
A striking observation made by Naveenraj is the extent of dedication displayed by the tribe members, even those who have relocated for work. “People make it a point to return, traveling great distances, some even walking for over a day, to reach Mamallapuram’s seashore for the festival,” Naveenraj elaborates.
. “Despite the years passing by and the world evolving around them, their traditions and belief systems remain steadfast and unchanged,” he asserts, capturing the resilience of these communities.
Equally fascinating are Naveenraj’s insights into the daily lives of the Todas of the Nilgiris. His photographs reveal a world where time seems to stand still, showcasing the community’s unique rituals, attire, and harmonious coexistence with nature.
Driven by a passion for capturing authentic moments, Naveenraj believes that documenting the humble, yet rich, lives of Tamil Nadu’s tribal populations is a colossal but essential task. “There are 36 tribes in the State and I hope to cover every aspect of their life—from birth to death,” he states. Aware of the magnitude of this endeavor, he predicts it will take a minimum of 15 years to accomplish. “This is not just a project; it’s a lifetime commitment,” he emphasizes.
Aside from his deep-seated fascination with tribal life, Naveenraj also undertakes wedding photoshoots. However, the allure of tribal festivals and daily life remains his true calling.
‘Roots & Rhythms: Tribal Tales’ will be on display till August 28 at the Kadambari Gallery in the DakshinaChitra Heritage Museum, Muttukadu. The exhibition resonates with those interested in cultural preservation and provides a unique window into the lesser-seen aspects of Tamil Nadu’s tribal communities. The museum is open from 10 am to 6 pm on weekdays and remains accessible till 7 pm on weekends.
With these insights, one can truly appreciate the dedication involved in a project of this nature. Naveenraj Gowthaman’s work not only highlights the rich tapestry of Tamil Nadu’s tribal traditions but also stands as a testament to the importance of preserving these cultural legacies for future generations. As he continues to embark on this remarkable journey, the photographer beckons us to look beyond the surface and into the heart of tribal life, urging us to rethink our perceptions and to value the enduring rhythms of these ancient cultures.
