As the entertainment industry buzzes with anticipation, Anees Bazmee’s highly anticipated film “Bhool Bhulaiyaa 3” is making significant strides in production. With an ensemble cast featuring Kartik Aaryan, Triptii Dimri, and Vidya Balan, the team behind the project is putting forth maximal effort to outdo its predecessors. Spearheading this ambitious endeavor is none other than veteran choreographer Ganesh Acharya, who has undertaken the colossal task of bringing the title song to life on a grandiose set.
Staking its claim as a potential crown jewel of Bollywood’s musical heritage, the title track heralds what could be one of the biggest song shoots in the annals of the industry. According to a source closely involved with the project, the energy on set reached fever-pitch as approximately 1,000 dancers assembled to contribute their talent last Friday. This elaborate sequence is not merely a display of grandeur, for it serves a pivotal narrative purpose: it introduces the audience to Rooh Baba, the character portrayed by Kartik Aaryan, woven into the fabric of this horror-comedy fusion.
In preparation for this defining moment, Aaryan has demonstrated an unwavering commitment, devoting two weeks to rehearsals to ensure a truly flawless performance. The rapport between Ganesh and Kartik has blossomed into an artistic synergy, leading them to explore realms within creative choreography previously untapped by the industry. Reports suggest that the crew’s relentless fervor will fuel the shoot potentially through the entire weekend, solidifying the commitment to excellence for this project.
Simultaneously, away from the glitz and glamour of the silver screen, Indian cricketer Virat Kohli and Bollywood sensation Anushka Sharma have embraced the joys of parenthood once again. The couple, already the proud parents of daughter Vamika, recently celebrated the arrival of their son Akaay in London. Kohli, after a brief paternity hiatus, rejoined the cricketing fray just as the Indian Premier League (IPL) commenced, donning his competitive mantle once more.
As Anushka remains in London, anticipation mounts regarding her return to India and, fundamentally, to supporting her husband from the stands during his IPL endeavors. Insiders reveal that once she deems their newborn son ready for the journey, she will journey back and become a steadfast presence in the spectator’s gallery during the latter portion of Kohli’s tournament matches, continuing a tradition of mutual support that has long been admired by fans.
While the realms of film and sport see their notable events unfold, another sphere of Bollywood encounters a blend of excitement and controversy. The industry is abuzz with the news that director Siddharth Anand is embarking on a sequel to the 2001 film “Nayak,” with Milan Luthria poised to direct. The original, featuring Anil Kapoor, was an adaptation of S Shankar’s Tamil hit “Mudhalvan” (1999) and marked Shankar’s foray into Hindi cinema.
The sequel, tentatively titled “Nayak 2,” is reported to have a script in place, penned by writer Rajat Arora. However, the project has been shrouded in a legal tussle; producer Deepak Mukut asserts ownership of the rights to “Nayak” and claims any sequel would require his involvement. Mukut, recognized for works such as “Shaadi Mein Zaroor Aana” (2017) and “Mulk” (2018), stipulated that Anand must collaborate with him for the venture, and any unilateral move on Anand’s part would be an infringement upon his rights.
Keeping to the traditions of cinematic drama, this real-life narrative unfolds, filled with the potential for collaborative triumphs and legal intrigue. As an era of new beginnings shines on the horizons of Bollywood—be it through music, family, or the promise of sequels—audiences and enthusiasts alike are poised on the edges of their seats, anticipating the next crescendo in this symphony of storytelling.
