Indian actor Kani Kusruti made a bold political statement at the prestigious Cannes Film Festival by showcasing solidarity with the victims of the ongoing conflict in Gaza. As she walked the red carpet for the film “All We Imagine As Light,” Kusruti’s accessory of choice grabbed everyone’s attention—a handbag shaped like a watermelon slice.
This seemingly quirky fashion item holds significant political importance. The watermelon, with its colors of red, green, white, and black, mirrors those of the Palestinian flag. Historically, these colors were employed as a symbol of Palestinian resistance after the display of their national flag was banned by Israel following the Six-Day War in 1967. Kusruti’s choice resonated deeply with audiences worldwide, especially as many actors from both India and Hollywood have avoided taking a stance on this very sensitive issue.
The image of Kusruti with her watermelon pouch rapidly went viral, sparking widespread admiration and praise for her bravery. At a time when publicly supporting the Palestinian cause can attract significant scrutiny or backlash, her gesture stood out as both bold and compassionate. The Cannes Film Festival often serves as a platform for both artistic and political expression, and Kusruti’s statement added a poignant layer to this tradition.
Kani Kusruti is not alone in her solidarity efforts. Earlier, Australian star Cate Blanchett had also paid homage to Palestine through her red-carpet fashion. For the premiere of “The Apprentice,” Blanchett wore a striking black gown with a white back and green hemwork. With the red carpet adding the final color, her ensemble subtly represented the Palestinian flag.
Kusruti attended the festival to promote “All We Imagine As Light,” directed by Payal Kapadia. The tale of two Malayali nurses living in Mumbai, the film is competing for the prestigious Palme d’Or, a first for an Indian film in three decades. The film received an eight-minute standing ovation at its premiere, further cementing its place in the annals of impactful cinema.
Kusruti’s outfit, a white bodycon silk dress, was enhanced by the watermelon-shaped handbag, both crafted by Kochi-based designer Diya John.
. John’s designer boutique, Salt Studio, even shared a behind-the-scenes video on creating the distinctive watermelon clutch. “I wanted something like that,” Kani said at the press conference for the film. “So I asked my friend (John) who crafted it by hand,” she added, explaining the personal effort that went into the making of the statement piece.
The buzz surrounding “All We Imagine As Light” only intensified as the film and its stars continued to receive acclaim. Chhaya Kadam, Hridhu Haroon, Payal Kapadia, and Divya Prabha accompanied Kani during the red-carpet event, each contributing to the film’s prominent presence at Cannes.
On the surface, the Cannes Film Festival is all about glitz, glamour, and the celebration of cinema. But it also serves as an international stage where artists and activists can share their messages with the world. Whether through direct statements or subtle gestures, the festival provides a unique opportunity to reach a global audience. Kusruti’s decision to highlight Palestinian resistance with her fashion choice is a testament to the power of symbolic acts in raising awareness and sparking conversation.
As an actress and an activist, Kani Kusruti has long been known for her socially conscious choices and willingness to speak out on critical issues. Her Cannes appearance, therefore, is in line with her broader commitment to advocating for the marginalized and speaking out against injustices.
The broader message of Kusruti’s red-carpet appearance at Cannes transcends the fashion statement itself. It aligns with the growing trend of celebrities using their platforms to draw attention to important social and political issues. In an increasingly interconnected world, gestures like these can have far-reaching impacts, driving conversations and potentially influencing public opinion.
By bringing the spotlight to the plight of Palestinian victims amid the ongoing conflict, Kani Kusruti has reaffirmed the crucial role of artists in societal discourse. Her actions at Cannes serve as a reminder of the powerful intersection between art, politics, and activism. The festival, and indeed the world, took note—not just of her sense of style but of her willingness to stand in solidarity with those affected by war and occupation.
