Home > 

Not my brand of cinema


The cinema landscape is about to be revisited by director Abhishek Chaubey, famed for his refreshingly nonconformist approach to storytelling as demonstrated in the likes of Ishqiya (2009) and Udta Punjab (2016). Following the success of his recent web series debut, Chaubey is now poised to once again make his mark on the theatrical scene, armed with a freshly penned script that he’s eager to bring to life. “I finished writing the script of a theatrical [fare] last year. I will hopefully make it soon,” he shared, signaling his readiness to return to the silver screen.

In a cinematic era where blockbusters such as Shah Rukh Khan’s Pathaan (2023) and Ranbir Kapoor’s Animal (2023) boast of pulling massive audiences into theaters, questions rise about whether Chaubey’s work, often characterized by its smaller, yet impactful scale, can captivate the masses in a similar fashion. “I can match the scale; I can make a spectacle. That’s not my worry,” asserts Chaubey, underlining his capability to create grandeur. However, he distances himself from the prevalent themes of anger and violence that many big-budget films tend to hinge upon. “But anger and violence are some elements that I don’t subscribe to,” he elaborates.

Chaubey insists that if spectacle is infused in his work, it must be enriched with depth and intricacies reflecting his creative ethos, “If there is a spectacle, it needs to have more layers and nuances. Those are the things I want to bring out on the big screen.”

Recent times have seen mainstream spectacles translate into phenomenal box office triumphs. Yet, Chaubey remains unswayed by mere financial metrics. He contends that large revenues are not absolute indicators of a film’s quality. “We shouldn’t be aggressively dependent on weekend numbers,” Chaubey opines. He underscores the presence of fantastic independent films that often go unnoticed, attributing their obscurity to distribution challenges rather than a lack of merit. “There are so many fantastic independent films available. It’s just the question of making them reach the audience. [Otherwise], they will consume what is being shown on the big screen.”

In carving his niche in the industry, Chaubey has consistently emphasized the importance of cohesive narratives, complex characters, and a strong emotional core. His films have often tackled social issues, challenged societal norms, and painted the human condition in strokes both stark and subtle, resonating with audiences seeking authenticity and meaningful experiences beyond mere spectacle.

Chaubey’s upcoming project is expected to be a continuation of his artistic integrity. His refusal to utilize violence for the sake of onscreen impact sets him apart and prompts a reconsideration of what true cinematic engagement entails. Engaging audiences with a tasteful blend of drama, excitement, and significance, without delving into gratuitous brutality, remains central to Chaubey’s cinematic philosophy.

The film industry is at a crossroads, with moviegoers’ expectations continually evolving. Yet, it is filmmakers like Chaubey who remind us that cinema has the power to not only entertain but also enlighten and provoke thought while refraining from a heavy-handed use of violence or aggression. As he prepares to embark on his next venture, fans and cinephiles alike anticipate a film experience that not only resonates on a visual and aural level but also leaves a lasting impression on the human spirit. With the script ready and his vision clear, Chaubey’s next theatrical journey is not only hoped to be visually enthralling but an emotionally stirring testament to his distinctive brand of cinema.