In the ever-dramatic world of Bollywood, a new controversy has emerged involving actress Divya Khossla Kumar and Alia Bhatt, both prominent figures in the Indian film industry. Divya Khossla Kumar, known for her assertive presence both on-screen and off-screen, has raised serious allegations against Alia Bhatt’s latest release, “Jigra,” claiming it is based on the same script as her own recent film “Savi,” which made its debut directly on OTT platforms.
The accusations have stirred the Bollywood pot, and there seems to be no sign of them simmering down. Divya’s claims point to uncanny similarities between the plotlines of “Jigra” and her film “Savi,” which has notably raised eyebrows within the industry and among fans. The flames of this drama were fanned further when Divya took to social media to make her dissatisfaction public. On her platform, she shared an image from a screening of “Jigra” at a local cinema, noting a distinct lack of audience presence with the caption, “Went to Citi Mall PVR for Jigra show. The theatre was totally empty. All theatres are going empty everywhere. Alia Bhatt mein sach mein bahut Jigra hai. Khud hi tickets kharide aur fake collections announce kar diye.”
The statement, brimming with sarcasm, questioned the authenticity of the collections being projected for Alia’s movie, insinuating that false figures might be announced to depict “Jigra” as a commercial success. The statement has left many in Bollywood speculating about the tensions brewing behind the scenes and whether there might be some truth to the allegations or if it’s simply a case of sour grapes.
The origin of the dispute reportedly stems from Savi’s producer, Mukesh Bhatt, who supposedly secured the adaptation rights of the 2010 film “Next Three Days” by Russell Crowe. This, in turn, was a redux of the French movie “Anything For Her” released in 2008. Questions now arise about whether the creative overlap between “Savi” and “Jigra” was coincidental or if there are deeper legal issues at play regarding intellectual property.
.
While Divya Khossla Kumar openly questioned the media’s silence on the issue, there’s yet to be an official response from Alia Bhatt or the producers of “Jigra.” Traditionally, Bollywood disputes may either be swept under the carpet, resolved privately, or, on rare occasions, escalate into full-blown legal battles. Nevertheless, the allegations have caught the attention of movie buffs, sparking debates and discussions across social media platforms.
Divya’s allegations have certainly thrust her into the limelight once more, generating both supportive and critical reactions from fans and fellow industry insiders alike. This incident highlights the complex nature of creativity and proprietorship in Bollywood, where similar themes and narratives often resurface across different guises, making it challenging to distinguish between an inevitable overlap and a deliberate replication.
In the wider scope of the Bollywood industry that thrives on drama both on and off-camera, this saga is adding another chapter to India’s tinsel town tales. While the screening report of empty theaters may paint a bleak picture of “Jigra’s” performance in specific locations, it’s vital to remember that box office success can be fickle and subjective to various factors including timing, competition, and audience preferences.
The outcome of this dispute, whether it will result in legal proceedings or be quietly settled, remains uncertain. As for the audiences, engrossed by this real-life drama, they’re left eagerly waiting to see how these allegations unfold and what repercussions they will carry for the parties involved.
Meanwhile, in other news from the film industry, the release strategies and creative liberties filmmakers take continue to evolve. Director Anees Bazmee, for example, is said to be revolutionizing suspense with his horror-comedy “Bhool Bhulaiyaa 3,” where he filmed two distinct endings to keep the climactic result under wraps. Such cinematic strategies reflect the lengths to which the industry will go to preserve exclusivity and captivate audiences, ensuring that the magic of cinema continues to enthrall, regardless of the backstage drama.
In conclusion, the bubbling tensions between Divya Khossla Kumar and Alia Bhatt over “Jigra’s” script serve as a reminder of the competitive, often contentious nature of the Bollywood industry. While the truth behind these allegations remains shrouded in uncertainty, they have undeniably set social media and the film fraternity abuzz, underlining once again that in Bollywood, the drama never truly ends.
