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Hyderabad’s Musical Homage to Argala Stotram Unites Traditional and Contemporary Talent


A captivating blend of art, devotion, and tradition comes alive in a newly released music video on the Argala Stotram, crafted by a talented team of artists from Hyderabad. Released in perfect timing with the festive season of Navaratri and Dussehra, this musical piece aims to encapsulate the spiritual essence of the sacred scriptures. At the helm of the project is ML Gayatri, a celebrated singer known for her contributions to Carnatic music and Telugu playback singing, who has undertaken the roles of composer, director, and producer for this revered venture.

The heart of this composition lies within the devotional fervor of the Argala Stotram, rooted in Rishi Markandeya’s illustrious Chandi Sapthasathi, a segment of the Markandeya Purana. This music video stands out not only for its spiritual depth but also for its unique feature of being performed entirely by an all-female cast. The talented ensemble includes Chetana Raviraj, Valli Gayatri, ML Shruti, and the visionary behind the project, ML Gayatri herself.

In a detailed explanation, ML Gayatri shares insights into the nuances of the Argala Stotram. She explains that the stotram is intricately divided into two categories: Durga Sapthasathi and Chandi Sapthasathi. Representing the Chandi Sapthasathi in the music video, the creators have carefully selected a verse that is spiritually and culturally significant, often chanted during the sacred Chandi yagam. Gayatri explains, “The Argala Stotram is a 23-verse hymn from the Chandi Sapthasathi, an integral part of the Markandeya Purana. The Chandi Sapthasathi itself comprises 700 verses, dedicated to the myriad forms of Goddess Durga or Chandi. The Argala Stotram is essentially a prayer, invoking her divine blessings for protection, prosperity, and the removal of obstacles.

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Diving deeper into its historical and spiritual significance, Gayatri notes that while both the Chandi Sapthasathi and the Argala Stotram are traditionally anonymous, they are widely attributed to the sage Markandeya, emerging from the ancient Markandeya Purana. This anonymity, she suggests, adds a layer of universal accessibility and timelessness, as these hymns have travelled through the ages, reaching diverse demographics without the confines of a single author’s identity.

The synergy of traditional Carnatic music with modern musical elements in the music video is another highlight. Each participating artist brings a distinct flair rooted in their profound knowledge of classical art forms and experience in contemporary Telugu cinema, offering an evocative and inspirational interpretation of the ancient text. This amalgamation of traditional musical expertise and contemporary creativity not only enriches the richness of the Argala Stotram but also presents it in a way that resonates with today’s audiences.

With the ongoing festive season serving as a perfect backdrop for its release, the music video aims to connect deeply with audiences—both those familiar with the nuances of classical Carnatic music and those encountering the Argala Stotram for the first time. The choice of an all-female ensemble is particularly striking, as it serves both as an homage to the feminine divine in the form of Goddess Durga and a celebration of the immense talent of women in the musical sphere.

The release of this music video marks a significant occasion for the cultural and spiritual communities in Hyderabad and beyond. It is a testament to the power of collaboration in art, where each participant’s dedication to their craft is evident in the harmonious presentation of a timeless piece of devotional literature.

In conclusion, ML Gayatri and her team’s ambitious project stands as a vibrant testament to the enduring vitality and relevance of traditional hymns. By merging age-old spiritual texts with contemporary artistic expression, this Argala Stotram music video not only bridges generational gaps but also reaffirms the timeless spirituality that continues to inspire across ages and cultures.