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Amid reports of singer Atif Aslam’s comeback to India Raj Thackeray’s MNS warns ‘Pakistani artistes will not be tolerated here’


The landscape of Bollywood is again at the epicenter of a cultural and political storm as Pakistani singer Atif Aslam gears up for a grand return to the Indian music scene after a conspicuous hiatus of seven years. Known for his soulful voice that has graced numerous Bollywood hits, Aslam’s anticipated comeback has provoked a stern response from the Maharashtra Navnirman Sena (MNS), with the party renewing its hardlined stance against the participation of Pakistani artists in the Indian entertainment industry.

Emblematic of the tensions that have long simmered between India and Pakistan, Raj Thackeray-led MNS has issued a clear warning to Bollywood producers, admonishing against the ‘red carpet’ welcome being extended to Atif Aslam. Ameya Khopkar, President of the MNS Cinema Wing, expressed unequivocal disapproval over the singer’s planned collaboration in a forthcoming Hindi movie, insisting that Bollywood must respect the party’s unwavering policy.

The MNS has a historical precedent of opposing Pakistani artists and has made its position abundantly clear, as emphasized by Khopkar’s statement, “Pakistani artistes will not be tolerated here. Never. It is unfortunate that we need to repeat ourselves, yet let me make it clear once again.” This sentiment has been a constant, with the party recently protesting against the release of Pakistani film ‘The Legend of Maula Jatt’ in December 2022.

Expanding the reach of their warning, the MNS challenges not just Bollywood but all Indian language film industries to refrain from casting Pakistani talent in their ventures. This challenge comes with a cautionary note, outlining the potential consequences of ignoring MNS’s demands.

Aslam’s return to Bollywood is channeled through the upcoming film ‘Love Story of 90s’ (LSO90’s), which is entrenched in nostalgia and romantic sagas of a bygone era. The project is helmed under Sangani Brothers Motion Pictures, with producers Haresh Sangani and Dharmesh Sangani joining forces with director Amit Kasaria to bring this story to life. Alongside Atif Aslam, the film features actor Adhyayan Suman and Miss Universe Diva, Divita Rai, in prominent roles.

Rejoicing in Aslam’s participation, the Sangani brothers expressed their elation stating, “Atif Aslam is staging a comeback after 7 to 8 years which is sheer bliss. We are very ecstatic as he has sung the very first song in our film LSO90’s (Love Story of 90’s). The fans of Atif Aslam will be thrilled. He is making a return in Bollywood through our film.”

Atif Aslam, 40, has enjoyed a distinguished career as a singer, lyricist, composer, and actor, first rising to international fame with his hits in the Pakistani music industry before making a mark in Bollywood. His distinctive voice and emotive renditions have left a lasting impression on Indian cinema, contributing to the soundtracks of films such as ‘Baaghi 2’, ‘Tiger Zinda Hai’, ‘A Flying Jatt’, ‘Race 2’, ‘Tere Naal Love Ho Gaya’, ‘Kismet Konnection’, ‘Race’, ‘Zeher’, and ‘Kalyug’.

While the joy of his fan base is palpable with this announcement, the MNS’s staunch standpoint casts a shadow on the overall warmth of the reception Aslam might receive. The unfolding scenario encapsulates the complex intersections between politics, nationalism, and art, underscoring the enduring tensions that prevail between the neighboring nations and their impact on cultural exchanges.

As the entertainment industry awaits the release of ‘Love Story of 90s’, the air is heavy with anticipation and unease. The controversy surrounding Atif Aslam’s return is yet another chapter in the political narrative that often intertwines with the colorful tapestry of the Indian film industry. Whether his voice will once again resonate through Indian cinema halls or be silenced by political outcry remains to be seen. Meanwhile, music aficionados and film enthusiasts are left to ponder the price of harmony in an age where borders continue to dictate the limits of art and expression. (with inputs from IANS)