In an age where digital streaming platforms are burgeoning with content, the cinematic landscape has evolved dramatically. This shift has brought forward a narrative style that increasingly leans towards telling rather than showing, explaining rather than expressing. The film “Do Patti” embodies this contemporary cinematic paradox. Once intended for theatrical release, this film joins a legion of others that have opted for the cozy confines of online streaming services, but in doing so, it appears to dilute the essence of storytelling, reducing it to a superficial tool for crafting so-called meaningful cinema. “Do Patti” manages to convey its message, but regrettably, little more.
Drawing a spiritual kinship with the likes of “Seeta Aur Geeta” and “Darlings,” “Do Patti” embarks on its journey akin to a police procedural drama. Yet, it quickly meanders into the realm of chick-lit before finally settling as an exposition on domestic abuse—akin to a public service announcement akin to the famous Bell Bajao campaign. The screenplay, helmed by writer Kanika Dhillon, delivers dialogues with far more punch than the narrative itself, which suffers from tonal inconsistencies. The film’s attempt to blend various genres not only falters but also struggles to evoke deep empathy for its characters, leaving them stranded in this mixed bag of narratives. Ironically, for a film that seemingly values the spirit of the law over its literal interpretation, it fails to replicate the same in the cinematic sphere.
Set against the misty backdrop of the picturesque hills of Uttarakhand, “Do Patti” tells the tale of two sisters, both portrayed by Kriti Sanon, and an unwavering police officer, brought to life by Kajol, who are determined to solve an attempted murder case. The two sisters, Saumya and Shailee, share an unbreakable bond yet differing temperaments. Saumya is mild-mannered, while Shailee exudes vibrancy and conceit. Their tumultuous childhood shapes them into contrasting individuals, both aspiring and vying for the affections of the same man, Dhruv Sood.
Dhruv Sood, played by Shaheer Sheikh, is a classic example of an entitled youth, the scion of a political dynasty in Haryana.
. Beneath his seductive exterior lies a cauldron of insecurity, fueled by patriarchy, viewing the sisters as trophies to be showcased depending on the preference of his guests. The narrative attempts to highlight the violence endured by women by allowing these miscreants to prey upon them. However, despite these poignant observations and the raw potential for societal commentary, together with director Shashanka Chaturvedi, the film fails to transform these into a coherent, absorbing narrative. Cinematographer Mart Ratassepp beautifully captures Uttarakhand’s allure for adventure enthusiasts, but little is offered for those seeking a deeper exploration of character psychology and motivations.
Kriti Sanon undertakes the challenge of a double role with finesse, yet the device dilutes the narrative impact by unveiling the plot’s twists prematurely. Her portrayal does exhibit commendable command over the dual facets of femininity—ranging from submissive to rebellious. Meanwhile, Shaheer Sheikh faces the unenviable task of balancing his character’s complexity without overshadowing the narrative, and this internal conflict is apparent on screen.
Kajol’s portrayal of a resilient police officer, reminiscent of her contemporaries such as Raveena Tandon and Karishma Kapoor, adds a layer of intensity to her character. Despite portraying a woman beleaguered by the demands of duty and life, Kajol’s portrayal retains a sparkling spontaneity. Nonetheless, her character’s dialogues, rich in regional expletives, often feel discordant. Over time, even an actor of Kajol’s caliber appears constrained by a script attempting to navigate an uneven terrain dictated by those in the show’s creative helm.
Currently streaming on Netflix, “Do Patti” symbolizes a growing trend in digital storytelling, one that prioritizes message delivery over narrative richness. It stands as a testament to the evolving nature of cinema, an art form grappling with a new era’s challenges and attempting to find its voice amidst an ocean of available content. As audiences navigate this digital age, “Do Patti” emerges as a reminder of the delicate balance required to create compelling stories in today’s streaming ecosystem.
