Home > 

‘True Detective: Night Country’ series review: Jodie Foster Issa López revitalises an iconic show with a new perspective


The iconic “True Detective” series has returned with its fourth atmospheric installment, rekindling the compelling and dark allure that has captivated audiences since its inception. Each season has taken its audience to a distinctive locale, embedding us alongside a pair of detectives ensnared by a case that consumes their very being. Initially conceived by Nic Pizzolatto, the show has consistently showcased a significant crime as an ethical turning point, compelling the detectives to peer into their own souls while navigating the mysteries before them.

Season four, dubbed “True Detective: Night Country,” marks a departure as it sifts through its enigmatic narrative with the creative touch of Issa López. She has not merely rejuvenated the franchise; she has dared to refresh its essence, returning to themes reminiscent of the first season while dialing up both the supernatural and sinful elements. López’s true ingenuity, however, is manifest in the seamless integration of victim and investigator’s despair, forging an intricate connection over the span of six gripping episodes.

Set against the backdrop of perpetual darkness, this chapter unfolds in the frost-veiled terrain of Ennis, Alaska. An eerie occurrence at a secluded research station triggers the central inquiry as all male scientists disappear, cryptically leaving behind just a woman’s tongue. The formidable Jodie Foster, in a transformative role as Chief Liz Danvers some thirty years after her star turn as Clarice Starling, must unravel this grotesque mystery. Bridging past and present, her journey intersects with Trooper Evangeline Navarro (portrayed by Kali Reis), who persuades Danvers that this grim discovery relates to a homicide involving an Iñupiat woman—a cold case from six years prior.

Issa López’s “True Detective: Night Country” masterfully navigates various genres, taking cues from classic sci-fi horror yet remaining firmly rooted in its small-town murder mystery origins. The labyrinthine personal lives of Danvers and Navarro often emerge to the forefront, while the town’s mining company looms ominously, a bastion of untold secrets. In Ennis, the intimacy of knowledge is as paradoxical as it is pervasive; familiarity breeds both connection and ignorance.

What López accomplishes with unwavering focus is the simultaneous unraveling of complementary narrative tracks. One is grounded in the technicalities and tribulations within Danvers’ detective office, while the other voyages into the ethereal, asking the viewer to momentarily yield to the paranormal whispers of this slumbering town. Fiona Shaw, playing the reclusive Rose, advises Navarro with memorable simplicity not to mistake spiritual phenomena for mental illness. This counsel not only foreshadows the direction López wishes to steer the season but also places it firmly within the territory explored by the horror genre’s celebrated auteurs. López’s writing is both commanding and playful throughout the season, as she allows these parallel tracks to build momentum independently until, with a touch of narrative finesse, they intersect with dramatic effect.

While audacious in its storytelling, “Night Country” can’t quite elude the specter of pacing problems. The deferral of key revelations until the last moments necessitates dense expository dialogue, and the series would have gained from incorporating the true antagonists more consistently throughout, instead of relegating them to mere bookends. Yet due to its expansive story scope, “Night Country” transcends the common downfalls of a typical detective show, promising a vast and fulfilling conclusion.

The season’s success is amplified by stellar performances from Jodie Foster and Kali Reis, whose chemistry and talent are bolstered by a strong supporting cast. Its crowning achievement is in how it weaves a sensitively imagined tale, one that, with profound respect, acknowledges both its victims and the cultural fabric of the Indigenous Iñupiat community. In doing so, Issa López’s approach—deliberately extending its gaze beyond the investigative duo—is instrumental in etching “True Detective: Night Country” into the annals of must-see television.

“True Detective: Night Country” is now available to captivate new and returning fans alike on JioCinema.