Amidst high expectations and burgeoning excitement, “Bachelor Party” is poised to grace cinema screens on January 26, armed with a promise to deliver a comedic experience reminiscent of the 2014 Kannada blockbuster, “Kirik Party.” Abhijit Mahesh, a former writer for “Kirik Party,” now seamlessly transitions into the director’s chair, assuring audiences of a laughter-filled escapade in his directorial debut.
Produced by Rakshit Shetty’s Paramvah Studios, “Bachelor Party” enlists a stellar cast, including popular actors Diganth, Yogi, Achyuth Kumar, and Siri Ravikumar. In a recent overview of the film, Abhijit spoke about leveraging the legacy of “Kirik Party” to capture viewers’ attention right from the initial promotional video. He emphasizes that the upcoming film naturally imitates the erstwhile movie’s comedic palate, reflected in authentic dialogues and humorous scenarios emanating from the rapport between two friends who never miss an opportunity to tease each other.
The plot gyrates around Santhosh, played by Diganth, a subdued, middle-aged man desperately seeking a respite from his overbearing wife’s clutches. A bachelor party becomes his prospective sanctuary, where he reunites with a former school friend, portrayed by Yogi, and a teacher, played by Achyuth. The trio subsequently embarks on a journey rife with adventures and humorous incidents. Primarily filmed in the vibrant locales of Bangkok, the movie promises a hearty dose of “clean and situational comedy.”
Abhijit had long visualized a comedy that focused on the bond of friendship, even predating his collaboration with Rakshit. He had conceived and registered the title “Bachelor Party” a decade ago, in 2012. Once given the green light by Rakshit to spearhead a film, he instinctually revived this title, finding it apt for its evocative resonance. Adapting the script over time, he has ensured that it aligns with the commercial tastes of mainstream audiences, while stoutly holding on to his creative vision. Abhijit asserts, with confidence, that the film stands as a complete package of entertainment.
With a successful track record that includes penning blockbusters like Rishab Shetty’s “Sarkari Hiriya Prathamika Shaale” and the fantasy adventure “Avane Srimannarayana,” also with Rakshit, Abhijit concedes that directing poses an altogether different kind of challenge. The multifaceted role of a writer extends beyond just crafting dialogue, requiring diligent development of characters and the construction of a cohesive screenplay. Transitioning into direction was not just about executing these ideas; unexpectedly, “man-management” surfaced as a formidable task.
Humor has always been an intrinsic part of Abhijit’s environment, growing up amidst individuals known for their wit. His personal definition of comedy revolves around placing eccentric characters in equally peculiar situations. He draws inspiration from classic comedies like “Deepavali,” directed by Dinesh Baboo, and the works of Kamal Haasan with Crazy Mohan, such as “Chachi 420.”
To his amusement, some early viewers, after glimpsing the promotionals, have drawn parallels between “Bachelor Party” and the Hollywood hit “Hangover” – an association stemming from both films centering around three friends and a bachelor party excursion. Abhijit, however, remains unfazed by such comparisons. In an age where judgments are swiftly passed via social media platforms, he focuses his energies on delivering a film that guarantees the audience their time and money’s worth.
The breathless anticipation for “Bachelor Party” mirrors the fervor that surrounded “Kirik Party,” suggesting that audiences are in for a delightful treat. As January 26 looms closer, the film promises to bring back the vibrant essence of college comedies with the novelty of a fresh narrative, set to captivate both faithful enthusiasts of “Kirik Party” and those new to the fold of Kannada cinema.
