Home > 

Alia Bhatt’s Leather Lament: A Case of Unintended Hypocrisy?


The ever-watchful eyes of the internet have landed on actress Alia Bhatt, scrutinizing her personal fashion choices following her professional activism. Bhatt, who recently made headlines advocating against the illegal ivory trade in her series “Poacher,” has now become the subject of a pointed debate over an accessory that seems to contradict her stance on animal welfare.

The crux of the controversy lies in an expensive calf leather bag that Bhatt was seen carrying at a fashion event. The bag, priced at a hefty $2800, sparked ire amongst the digital populace, notably so soon after her public opposition to the brutal treatment of elephants for their ivory. The internet detectives dug deeper, unearthing a Google search result indicating that calf leather typically comes from very young cows, inflaming the situation further.

Though one retail website listed the bag as crafted from calf leather, others specified that it was made from ‘black leather,’ leaving room for confusion. However, the timing of the alleged faux pas did little to shield Bhatt from the barrage of criticism. One social media commentary lamented that, at the very least, the star should have refrained from flaunting such a bag so shortly after her promotional campaign. Another suggested that even if one were to engage in hypocrisy, it should be carried out away from the public eye—a lesson in smart subterfuge, so to speak.

Shifting away from the swirling vortex of controversy, actor Chandan Roy Sanyal made waves with the announcement of an enlightening visit to Chennai to reconnect with his mentor, acclaimed British theatre director Tim Supple. Sanyal, whose performances have won critical acclaim, expressed his excitement and anticipation for furthering his craft under Supple’s tutelage. Fans can expect to catch Sanyal’s talent in the upcoming series “Lootere.” Behind the camera, he is involved in two directorial projects: “The Playback Singer,” which is nearing the end of production, and “Suzie Q,” a film already creating a buzz on the festival circuit.

In a burst of patriot fervor, “Swatantrya Veer Savarkar” producer Yogesh Rahar has dedicated his film to the heroes of India’s past. The biopic, which casts Randeep Hooda as the titular freedom fighter, has been described as a poignant tribute to Rahar’s own lineage of revolutionaries. Rahar sees the film as an opportunity to honor the country’s forebears and to instill a sense of pride and inspiration in future generations.

Meanwhile, Bollywood is abuzz with Janhvi Kapoor’s latest career move. The actress has bagged her second Telugu film alongside Ram Charan, marking yet another milestone in her diverse and expanding repertoire. Though the project, tentatively named RC16, remains cloaked in secrecy, the involvement of Oscar-winning maestro A.R. Rahman as the music composer adds to its highly anticipated release. While Kapoor’s Telugu debut in “Devara” is on the horizon, her presence in Charan’s film stands testament to her growing influence in Indian cinema.

Addressing the swirling rumor mill, the production house behind the iconic “Aashiqui” series has put to rest speculation regarding Kartik Aaryan’s potential involvement in a third installment. Asserting that there are no current plans to relaunch, the production house maintained that any future project would only proceed with the partnership of the Bhatts, who hold the original rights to the franchise.

Music and filmmaking intertwine in the life of Adarsh Gourav, known for his captivating performance in “The White Tiger.” Currently engaged in the international series “Alien,” the actor shared that amidst the tumult of filming, music remains his sanctuary. Gourav cherishes the ability to express himself in multiple art forms, and under the executive production of Ridley Scott, he dives into another venture that promises to showcase his versatile talents.