In a world where the line between engaging content and controversy is often blurred, Sandeep Reddy Vanga emerges as a filmmaker whose artistic provocations invite both acclaim and criticism. His latest film, ‘Animal’, has been stirring conversations in the cinematic landscape since its release, prompting the director to come forth with his own narrative amidst the growing debate.
Known for his bold themes and uncompromising storytelling, Vanga’s contributions to cinema have not been without their detractors. Yet, in the wake of ‘Animal’, a dialogue has been sparked between the director and his critics, one that shines a light on the complex dynamics between creators and their audience.
During a conversation with Galatta Plus, Vanga addressed the tension that arises when faced with criticism. He likened media critique to “throwing bouncers,” which compelled him to adopt a defensive stance. Striking a metaphor, he stated, “You are throwing a ball, and you don’t want me to play defence? If I don’t, it (the ball) will break my face.” His commentary bespeaks his steadiness in confronting the grievances aimed at him and his work.
Vanga is steadfast in his statement, “I never provoke anyone.” Yet, he concedes that, at times, responding seems necessary, “Whoever I have replied to until now are the ones who provoked me or said something.” He maintains that silence in the face of incitation is not always the noble path, but rather a weakness. “How many days will you keep quiet? Though not for everybody, you have to answer back to a few people,” he elucidates, reflecting the nuance of when to engage with detractors and when to preserve one’s peace.
His take on this nuanced engagement arises from his interactions with those critical of his work, underscoring the selective nature of his responses. In doing so, Vanga seeks to maintain a level of respect and openness to dialogue, while acknowledging that some provocations necessitate a rebuttal.
Addressing a scene in ‘Animal’ that seemed tailor-made for star Ranbir Kapoor, Vanga expressed his confidence in the actor’s capabilities, which, according to him, inspired the elaboration of the scene. “Since he is such a great actor, no matter how lengthy the scene is, he will take pauses and talk, and yet it will be an interesting scene,” Vanga remarked, praising Kapoor’s performance.
Indeed, the trust in Kapoor’s prowess went so far as to transform a dialogue meant to span two paragraphs into a more extensive four, a decision based on Vanga’s belief in the actor’s talent. While surprised by Kapoor’s adeptness in action sequences, the director mused on a missed opportunity to further exploit this strength, not in the length but in the “brutality” of these scenes.
‘Animal’ presents a tumultuous father-son relationship, with Ranbir Kapoor’s protective yet obsessive portrayal of a son, ready to defend his love for his father, portrayed by Anil, against any perceived threat. The movie, marking the biggest opener of Kapoor’s career, extends beyond the usual storytelling norms, opting for a duration of over three hours. Produced by a team that includes heavyweights like Bhushan Kumar, Krishan Kumar’s T-Series, Murad Khetani’s Cine1 Studios, and Pranay Reddy Vanga’s Bhadrakali Pictures, the movie transcends conventions and firmly places itself within the crime drama genre.
Perhaps, this latest release epitomizes Vanga’s approach to filmmaking, one that does not shy away from exploring intense themes or showcasing complex character dynamics. While ‘Animal’ was released to much anticipation on December 1, 2023, it continues to be discussed, dissected, and debated among both critics and audiences alike, proving that Sandeep Reddy Vanga’s artistic voice remains relevant and resonant in current cinematic discourse.
