With an impressive roster of films and a critically acclaimed web series to his name, actor Arjun Mathur sits comfortably at the vanguard of independent Indian cinema. Recently, he spoke to mid-day.com about his upcoming film ‘Lord Curzon Ki Haveli’, his experiences with independent filmmaking, and his thoughts on the industry’s leanings towards actors with commercial clout over artistic skill.
‘Lord Curzon Ki Haveli’ is set to make a splash at the Red Lorry Film Festival 2024, where BookMyShow selects the participating films. Mathur, known for his nuanced performance in the series ‘Made in Heaven’, stars opposite Rasika Dugal in this Anshuman Jha directorial. When asked about his involvement in the film, Mathur reflected on the unique elements that piqued his interest. “The script was just wacky and weird,” he remarked, “It defied genre classification and offered me a chance to explore a funny yet morally ambiguous character, a departure from roles I’ve previously tackled.”
Working with Jha, an actor turned first-time director, was a highlight for Mathur. He values the realism and fresh perspective that debut directors bring to a project, as well as their understanding of an actor’s process, explaining, “they are extremely respectful of that.” Mathur praised Jha for staying true to his vision, resisting compromises that could have diluted the film’s integrity.
Arjun Mathur’s career choices reflect a deliberate divergence from the allure of mainstream blockbusters, as he prioritizes the artistic merit of a film. “It’s about the script, the story, and my character,” he says. Mathur is drawn towards roles in independent films, as they offer deeper exploration into characters’ psyches away from the shadow of star-centric narratives.
His candid reflection on the industry’s penchant for bankable stars over raw talent is marked by a blend of resignation and optimism. Trained at renowned institutions such as the Barry John’s Institute and the Lee Strasberg Theatre and Film Institute, Mathur extends a sarcastic congratulations to filmmakers who prioritize clout. Yet, his concern for the craft of filmmaking is evident: “I hope they will be happy with the money they make rather than the art.”
Mathur’s career-transforming role in ‘Made In Heaven’ garnered him international recognition, including an Emmy nomination. Nevertheless, he admits to never having anticipated the magnitude of the show’s success, suggesting such foresight might impede the authenticity of an actor’s approach to a role.
As Mathur reflects on his endeavors, it is impossible to overlook the thematic thread behind his words: a quiet rebellion against the conventional tides of cinema, a celebration of the independent spirit. ‘Lord Curzon Ki Haveli’s’ place in the Red Lorry Film Festival is a testament to that spirit. Mathur concludes with pride that the film festival’s focus on quality over quantity resonates deeply with him, particularly given the selection of his film as one of the few Indian representatives.
Arjun Mathur’s narrative is not just the story of an actor dedicated to his craft; it is a mirror to the broader dynamics within the Indian film industry. It’s a narrative that simultaneously challenges and embraces the commercial and artistic realms, proving that, for those willing to take the path less traveled, there is always a unique story to be told.
