As the clock ticks toward the end of an eventful year for television, 2023 stands out as a remarkable period for English-language TV shows despite the industry’s underlying challenges. With writers’ and actors’ strikes casting a shadow, the television landscape saw an impressive rise in streaming viewership and revenue, indicating a robust appetite for quality content. High-profile series faced the axe; however, the sheer brilliance of several storytelling masterpieces eclipses those setbacks. Prestige television has been redefined, with both new and returning dramas captivating audiences in equal measure. Here’s our roundup of the standout English television series for the year.
“Succession” claimed its rightful place amongst television’s elite with a fourth season that held us captive, eager to discover who would triumph in the Roy family power struggle. The drama consistently delivered, with shocking developments framing a fittingly majestic conclusion to this corporate battle royale.
In the gripping adaptation of the popular video game, “The Last of Us” translated seamlessly to the small screen. A heart-rending narrative fueled by the impeccable pairing of Pedro Pascal and Bella Ramsey, the series took audiences through a post-apocalyptic world haunted by monstrous transformations and human depravity, solidifying its eminent position among the year’s best.
“The Bear,” a dramedy that captured hearts, raised the bar even higher its second season. It eloquently portrayed the intricate emotional and professional journeys of its characters, culminating in a crescendo of high-stakes drama that confirmed its place as one of the most profound narratives on television.
Netflix’s “Beef” carved its niche as an intense, darkly comedic study of the human condition. Ali Wong and Steven Yeun delivered captivating performances in a tale of escalating confrontation that is as humorous as it is poignant, earning it a spot among the year’s top offerings.
“A Murder at the End of the World” merged a classic whodunit structure with modern sensibilities. By intertwining timelines and threading a complex web of intrigue, it presented a riveting murder mystery that deftly kept viewers on the edge of their seats.
For animation enthusiasts, the return of “Invincible” in a two-part second season did not disappoint. Jaw-dropping action sequences and deep character development made it an unforgettable part of the superhero genre, proving that animated series can play in the big leagues with their live-action counterparts.
“The Curse,” a Nathan Fielder and Benny Safdie collaboration, stands as an unparalleled experiment in television, pushing the boundaries of comfort with its sharp critique of reality TV. The inclusion of Emma Stone underscored a year of standout roles for her, further highlighting the show’s unconventional brilliance.
“Dead Ringers” saw Rachel Weisz in a dual role that delved into the psychological intricacies of two distinct yet connected lives, reimagining the Cronenberg classic with a new, unnerving narrative drenched in a haunting visual style.
The Scott Pilgrim universe expanded into animation with “Scott Pilgrim Takes Off,” offering a fresh perspective on the beloved characters alongside nostalgic callbacks and enthralling visuals. It emerged as a significant animated success, captivating new and returning fans alike.
In “Gen V,” the superhero genre received a refreshingly irreverent spin-off from “The Boys.” Set within the learning halls of supe-student-infested Godolkin University, the series blended shocking developments with tongue-in-cheek humor, solidifying its place as a thrilling extension of its predecessor.
While these titles are at the forefront, notable mentions include “Jury Duty,” “Silo,” “Blue Eye Samurai,” the revival of “Party Down,” “Poker Face,” and “Slow Horses,” each contributing to a dynamic and diverse year in television. Whether through fanciful animation, biting satire, or gripping drama, 2023 demonstrated the television industry’s resilience and creativity, commanding our attention and ensuring that viewers remain eagerly glued to their screens.
