In the lush artistic landscape of India, a new gem has emerged – ‘Bhagavathi’, a music video that intertwines the visceral power of music with the profound narrative of the Muchilottu Bhagavathy Theyyam legend. The video, crafted by the renowned musician Sithara Krishnakumar and her band, Project Malabaricus, stands as a testament to the indomitable strength of women.
The video, with its evocative imagery, propels viewers into the heart of a narrative revered for generations. It celebrates the story of a young, scholarly woman from a family of repute, whose profound knowledge became a thorn in the side of male scholars. Her proficiency was met not with accolades but with animosity due to her gender. In a bid to find her a suitable groom, a public debate was organized but no suitor could best her intellect, leading to a conspiracy that would see her disgraced and shunned by her own people. Her tragic self-immolation eventually led the community to a stark realization of her divinity, and she was deified as Muchilottu Bhagavathy, believed by some to also be an aspect of Lord Shiva.
Sithara Krishnakumar delves into this legend, sharing her artistic perspective: “The song is more about the story of the woman than the spiritual aspect of the lore. Despite the changing times, the challenges faced by successful women remain constant—society either puts a woman on a pedestal or trivializes her existence. This phenomenon is not localized but global.”
Her husband, Dr. Sajish M, a cardiologist with personal ties to Karivelloor in Kannur—the land of Theyyam—penned the lyrics. His deep-rooted familiarity with the lore lends authenticity to the narrative. As Sithara remarks, it is his maiden foray into songwriting for her, and it weaves the legend into a powerful lyrical expression.
Set against the backdrop of Payyannur and directed by Sumesh Lal with cinematography by Mahesh SR, the video is a work of thorough research, with the team engaging closely with the locals to understand the finer details of the lore. “The music video complements the song with visuals that are more than just a retelling of Theyyam. We have selectively infused elements like the poykannu, a nod to the metaphoric mask of grief and rage donned by Bhagavathy,” says Sithara. “The depiction of Bhagavathi Theyyam in the video is intentionally not aggressive, setting it apart from other portrayals in the Theyyam tradition.”
Sithara describes the challenges in adapting Theyyam, primarily a ritualistic tradition, for a broader audience through a modern medium like music videos. The team steers clear of attempting to replicate the full grandeur of the art form, instead focusing on honoring its essence.
The song was born after witnessing a full performance of Muchilottu Bhagavathy Theyyam at a temple festival, which left a profound impact on Sithara. She enthuses about the art’s exquisite detailing, transcending religious boundaries with its universal appeal.
Project Malabaricus devoted considerable effort into the song’s musical structure, ensuring it echoed with contemporary resonance while subtly incorporating traditional elements such as Thottampattu and the kuzhal’s haunting tones.
Sithara, an acclaimed playback singer with three State Film Awards to her name, speaks of the exciting phase for indie musicians as they receive increasing support and recognition. She notes a shift in the audience’s preference; where once film songs dominated their shows, now the original music they craft is gaining prominence.
Finally, ‘Bhagavathi’ features Sithara alongside her band members—Liboy Praisly Kripesh on rhythm guitar, Vijo Job on lead guitar, Ajay Krishnan on bass, Midhun Paul on drums, and Srinath Nair on keyboard. The music video is available for viewing on YouTube, inviting audiences to experience a creative rendition of a poignant tale, celebrating the narrative of a woman whose spirit could not be vanquished.
