The sexual exploitation of women in the Malayalam film industry and some of the appalling reactions by so-called ‘fans’ on social media originate from an identical patriarchal mindset. Social media ‘moralists,’ who consistently attempt to fit individuals into predetermined roles, demonstrate a procrustean approach. This rigid mentality is not dissimilar to that of tyrannical governments or profoundly patriarchal societies. It is against this enervating backdrop that several courageous actresses have risen, unafraid of the potential repercussions, to voice their experiences.
The disturbing reality of women being viewed merely as sex objects by the affluent and influential, coupled with the rampant victim-shaming observed on social media, is symptomatic of an overarching attitude where entitled men are perceived as infallible while the women, victims of said exploitation, are blamed for their trauma.
Regrettably, this victim-blaming mindset is not confined to just the fans of the accused. Even establishment figures, such as the award-winning actress Sarada, who is part of the Justice Hema Committee, have imparted victim-blaming sentiments. Sarada, in her comments, lamented the influence of Western culture on Indian society, suggesting, “Everybody mingles with each other quite openly.” This insinuation that abused women somehow encouraged the advances of men is nothing short of abhorrent.
Moreover, the Hema Committee’s report includes even more disturbing revelations, particularly differentiating ‘girls’ from ‘women’ in a context that implicitly supports pedophilia. The report disturbingly notes, “The girls who are called for work would be given a chance in cinema if they comply with the demands for sex.” Thus, there are actors who exploit underage females, adding another layer of horror to this troubling scenario.
While it is shocking that well-known actresses speak of being aggressively assaulted or raped by men hired by powerful actors in moving vehicles, it raises a grave concern about those lower in the hierarchy. According to the report, “Junior artistes are treated worse than slaves.” The comprehensive 290-page report delivers a bleak and distressing narrative.
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The term ‘Me-too’ is often used to encapsulate these experiences, but it fails to convey the sheer horror of the worst crimes, which should be called what they are: rape. One especially prominent actor even resorted to outsourcing rape. In such cases, the victim endures lifelong trauma while the perpetrator, shielded by their fame and connections, resumes their career almost unscathed.
The irony here is that Malayalam films are often esteemed as some of the country’s most intellectually engaging cinema, treating viewers with respect and often delicately handling sensitive topics. The recent national award-winning film, Aatam, navigates the complex issue of a woman who may or may not have been molested while on tour, highlighting the difficulties of confirming guilt with indisputable evidence.
The nefarious ‘lobby’ and ‘mafia’ within the Malayalam film industry, as highlighted in the report, are easily recognizable entities, according to insiders, and more revelations are anticipated as criminal cases are processed.
However, an overarching sense of unease persists because such heinous crimes often seem to benefit from a veneer of political protection, whether in Bengal, Uttar Pradesh, or Kerala. This emboldens the perpetrators, fostering a culture of impunity. Just as certain businessmen are more ‘equal’ than others, some rapists and sexual predators within the film industry, armed with influence, operate with a similar sense of superiority.
The Hema Committee’s proposals may seem insubstantial, but the gravity of the issues they bring to light is undeniable. By transforming rumors into documented complaints, the committee has exposed many dark truths previously relegated to whispered gossip.
The ultimate quest for justice remains uncertain. Without sufficient accountability, those guilty might never face the repercussions they deserve. The hope is that these brave actresses speaking out, coupled with societal support, will drive genuine change and shine a light on the pervasive darkness within one of India’s most celebrated film industries. Will we ever see meaningful consequences for these acts, or will they remain insidiously protected by the powerful shadow of fame and influence? Only time will tell.
