In a dazzling display of coordination and hard work, the team behind the high-octane action film ‘Bade Miyan Chote Miyan’ has achieved a remarkable milestone. The production has recently made headlines for its efficient and ambitious filming schedule of four major song sequences, all completed within a mere 12 days during their latest shoot in Jordan. This impressive feat has further highlighted the film’s buzz-worthy status and the anticipation that surrounds its release.
Under the seasoned guidance of director Ali Abbas Zafar, the dynamic Bollywood duo of Akshay Kumar and Tiger Shroff were tasked with bringing to life these musical numbers, a challenge they met with verve and dedication. Accompanied by their co-stars, the talented Manushi Chhillar and Alaya F, the ensemble cast moved swiftly across Jordanian landscapes, exhibiting a combination of acting and dancing prowess.
The crew’s journey commenced in the historic town of Jerash on January 22, charting a course that would take them from ancient ruins to contemporary urban locales, and even the shores of the Dead Sea. According to insider sources, one of the songs had a notable twist, featuring a well-known Bollywood actress in a pool party scenario, which will serve as an unexpected treat to the audience. The atmosphere was set to be both electrifying and visually enthralling with the lead performers donning swimwear to groove to the rhythms.
Another musical piece, a romantic serenade titled “Wallah habibi,” was the last on the list, captured amidst the stark beauty of the Wadi Rum desert. This particular scene was elaborately staged, complete with over a hundred background dancers adorned in Arabic-themed outfits and accentuated with traditional accessories, promising to be an eye-catching highlight in the movie.
Producer Jackky Bhagnani returned from the extensive schedule with satisfaction, shining a light on the smooth execution that was in part thanks to the Royal Film Commission of Jordan. The Commission not only provided crucial support to the production team but also facilitated the swift acquisition of permits necessary for the shoot. With footage now being sharpened at the editing table, Bhagnani expressed his contentment with the raw cuts and the potential they hold.
A glance at the logistics behind the scenes reveals a meticulously organized approach. Prior to the camera rolling in Jordan, the film’s choreographer Bosco Martis, a name synonymous with cinematic dance spectacles in India, held extensive rehearsals in Mumbai. This preparation was not limited to dance moves alone but extended to costumes, fittings, and the props needed to transport the essence of each scene to the audience. Martis even went the extra mile to perform a reference shoot within a Mumbai studio, ensuring that there were no missteps when everything went live on location.
Their crowning achievement, the movie’s main track, “Bade Miyan Chote Miyan,” was filmed against the backdrop of Jerash’s ancient, yet immaculately preserved Roman theatre, an embodiment of the timeless allure that this film seeks to channel. A stark contrast was offered by the romantic sequences shot in Amman’s urban sprawl, followed by a party number that had the cast land on the breathtaking, pristine sands of a man-made beach, illustrating the versatility and range the songs aim to convey.
Overall, ‘Bade Miyan Chote Miyan’ not only signifies another potential blockbuster to bolster the impressive portfolios of its leading stars but also stands as a testament to the rigorous efforts of an entire film crew operating in unison. Their strategies—a mix of well-orchestrated preparation and efficient execution—cement their commitment to delivering quality entertainment while pushing the envelope in filmmaking versatility. As the movie enters post-production, the anticipation only heightens, with audiences eagerly awaiting the opportunity to witness the fruits of this extraordinary labor, both on and off-screen.
