The calendar has turned a page to another awards season, and the Grammys once again captivated the globe with its bold fashion statements. Victoria Monét graced the Grammys red carpet on Sunday night, embodying the image of a bronze goddess in a curve-embracing Versace gown, harmonizing with her delightful 2-year-old daughter and fellow nominee, Hazel, who was attired in a matching hue. The star-studded event unfolded revealing a wild and wacky red carpet show at the Crypto.com Arena in Los Angeles.
Fashion became the language of artistry as music stars sashayed into the spotlight. Victoria Monét, bedecked in a bespoke corset garment, served Old Hollywood charm amidst a ripple of bright and shiny ensembles. The adorable Hazel, decked in Versace, offered a moment of sweetness as a shy wave of stage fright washed over her amidst the frenzy, prompting her to turn away from the flashing cameras.
“I feel expensive,” declared Monét, elevating her ensemble with a Bulgari serpent necklace, a statement piece that rivaled the luster of her gilded dress. Another vocal powerhouse, Dua Lipa, dazzled in a low-cut silver ensemble designed by Courrèges, which was accentuated with long sleeves, strategically placed cutouts, and a Tiffany & Co. aquatic-inspired necklace sparkling with a well of diamonds and orange sapphires totaling 23 carats.
Not one to be outshone, Taylor Swift arrived last on the carpet but garnered ample attention in custom Schiaparelli Couture. Her elegant strapless corset dress featured a dramatic train embracing the floor as she worked it for the camera. Adorning this classic white silhouette, were long velvet black gloves and a cascade of necklaces, silently whispering allusions to her Reputation era, leaving fans eager to decode potential Easter eggs.
A golden warrior emerged in the form of Miley Cyrus, donned in bespoke Maison Margiela by John Galliano. Her chain mesh garment beamed with ’70s nostalgia, as described by Bianca Betancourt, Harper’s Bazaar’s digital culture editor, who lauded the look as a quintessential “over-the-top camp” expected at the Grammys.
On the subject of debuts, newcomer Tyla made a minty fresh entrance in Versace, cementing her playful yet sensual style identity. Portrayed as “perfectly nailing her Grammys debut,” Tyla’s selection embraced the eccentricity that Grammy-goers anticipate.
Behind the scenes, a special moment garnered applause as Miley Cyrus celebrated her maiden Grammy victory by performing “Flowers” in a beaded Bob Mackie mini-dress, leaving a striking impression on Elle’s digital director, Claire Stern.
Billie Eilish brandished a reimagined vintage Barbie jacket from Chrome Hearts, a piece symbolic of her win for “What Was I Made For?” and the bold fashion choices that have become synonymous with Grammy fashion. Bright colors dotted the landscape, but black maintained its classic appeal, notably worn by the boygenius trio in striking white Thom Browne suits.
Janelle Monáe, a perpetual fashion standout, draped herself in Giorgio Armani Privé that exuded both timelessness and futurism. “I’m feeling classic, timeless, futuristic,” Monáe proclaimed, mirroring her music’s genre-transcending nature.
It wasn’t all convention on the red carpet, though. Some opted for more radical expressions, like Slipknot’s Sid Wilson in a gas mask-esque leather headpiece, and Dawn Richard in a red gown that paid homage to Botticelli’s “Primavera”.
Men’s jewelry also carved out its niche with Rufus Wainwright, Collie Buddz, and others showcasing their distinctive adornments. Discussions of fashion favorites included the avant-garde attire of Jon Batiste and Lenny Kravitz, leaving lasting impressions in Versace and Rick Owens, respectively.
Amidst this glamor and extravagance, new tones arose. Coco Jones opted for baby blue, while Ayra Starr enthralled in her midriff-baring two-piece outfit. Kylie Minogue and Olivia Rodrigo remained with renditions of red, each invoking a different era through their attire – from Dolce & Gabbana’s modern corsetry to the crystalline splendor of a vintage Versace gown once worn by Linda Evangelista.
Coi Leray, a bright-eyed newcomer, captivated in an archive pantless Saint Laurent piece, while country hopeful Lainey Wilson honored Johnny Cash with a custom Balmain ensemble. The Bronx influenced fell over the event with Ice Spice in Baby Phat, a merging of New York and LA style that was both unexpected and refreshing.
With self-expression at its core, Grammy fashion continued to unite artists and designers in a chorus of visual storytelling. The curtain may close on the evening’s show, but the fashion statements made at the 66th annual Grammy Awards will resonate, steering discussions and inspiring looks long after the last award is handed out.
