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‘In the Summers’ and ‘Porcelain War’ win top prizes at Sundance Film Festival


The Sundance Film Festival, renowned for celebrating independent cinema, marked its 40th iteration by awarding its top prizes to two directorial debuts. “In the Summers,” which unravels the complex dynamics of a father’s relationship with his children over the span of nearly two decades, was the proud recipient of the coveted Grand Jury prize. Simultaneously, the documentary elite recognized “Porcelain War,” chronicling the resilience of a Ukrainian couple’s commitment to their craft amidst conflict, with the top documentary honor.

The awards, distributed at the festival culmination in Park City, Utah, celebrated filmmakers who are new to the director’s chair. “In the Summers,” authored and helmed by Alessandra Lacorazza, is a testament to storytelling that captures the beauty and poetry of an imperfect parent’s bond with his daughters. It was a double victory for Lacorazza, who also took home the award for directing.

Lacorazza, a Colombian American storyteller, invoked a sense of unity and representation in her acceptance speech, dedicating her triumph “to the queers, to the Latin, to the immigrants.” Her film, set against the backdrop of Las Cruces, New Mexico, paints a sensitive portrait of familial life.

Parallel to this narrative win was the documentary sensation “Porcelain War,” by filmmakers Brendan Bellomo and Slava Leontyev. Following the precedent set by last year’s documentary winner “20 Days in Mariupol,” also set against the ongoing conflict in Ukraine, “Porcelain War” offered a poignant glimpse of beauty and artistic dedication during times of strife.

Bellomo, in receiving the award, acknowledged the valor and the aesthetic splendor of the Ukrainian people, dedicating the honor to their bravery and grace amidst turmoil.

The global dramatic cinema category saw “Sujo,” a poignant narrative about an orphan’s yearning for liberation from drug cartel violence, claim the Grand Jury prize. “A New Kind of Wilderness,” capturing the life of a Norwegian family in their quest for a self-sustaining existence, was recognized with the world documentary jury award.

The Festival Award, voted by the Sundance audiences, was garnered by “Daughters,” a powerful documentary by Natalie Rae and Angela Patton, which followed the emotional journeys of four young girls attending a special dance with their incarcerated fathers. The film captivated the audience’s hearts, winning the audience award for U.S. documentary as well.

Sean Wang’s “Dìdi,” a poignant exploration of a Taiwanese American boy’s coming of age, secured the audience award for U.S. dramatic film and was celebrated for its ensemble cast with a juried award.

“Ibelin,” a tale of virtual legacy and real-world impact, was both a crowd-pleaser, securing the audience award for world cinema documentary, and a juried winner for Benjamin Ree’s directorial efforts. Netflix secured the film rights, fascinated by the story of Mats Steen, a Norwegian whose blog and World of Warcraft persona won hearts globally posthumously.

Moreover, Sundance’s audience favorite for world cinema drama was “Girls Will Be Girls,” set in a Himalayan boarding school. The innovator’s torch for the NEXT category was held aloft by “Little Death,” produced by Darren Aronofsky and featuring David Schwimmer. “Kneecap,” starring Michael Fassbender, a narrative about a Belfast rap trio, snagged the NEXT audience accolade.

This year’s Sundance winners and contenders may very well follow the trajectory of previous festival successes, echoing into the grand chambers of the Academy Awards, such as “CODA,” “Summer Of Soul,” and “Minari.” The current edition included a variety of high-profile submissions like Jesse Eisenberg’s “A Real Pain.”

As of the close of the Sundance Festival, the films celebrated by the juries and audiences alike were available for streaming on the festival’s platform. This year’s acquisitions were noteworthy with Eisenberg’s “A Real Pain” fetching $10 million with Searchlight Pictures, Steven Soderbergh’s “Presence” going to Neon, and the enthralling horror “It’s What’s Inside” clinching a deal with Netflix for $17 million.

In summary, the 40th Sundance Film Festival was a showcase of inspiring directorial debuts, compelling narratives, and evocative documentaries that continue to push the boundaries of cinema, reflecting the ever-changing and dynamic nature of human stories and resilience.