Unveiling the layers behind the onscreen persona of one of Bollywood’s cherished veteran actresses, Jaya Bachchan, filmmaker Karan Johar shared insightful anecdotes that paint a vastly different picture of the star known for her stern public image. In his candid revelations about the making of ‘Rocky Aur Rani Kii Prem Kahaani’, Johar opened up about Bachchan’s off-screen presence that left an indelible mark on the entire cast and crew.
Jaya Bachchan’s public encounters with photographers have often been misconstrued, leading to a perception of her disdain for the media. Clips featuring her visible irritation towards paparazzi intrusion frequently make the rounds on social media, sparking memes and laughter. Yet, her recent stint in ‘Rocky Aur Rani Kii Prem Kahaani’, directed by Karan Johar, showcases a vastly divergent aspect of her personality.
In the film, Bachchan embodies the role of Dhanlakshmi Randhawa, the formidable matriarch at the helm of a prosperous business family, a character not easily swayed or impressed. However, Johar insists this portrayal is far from an accurate reflection of Bachchan’s personal demeanor.
Addressing preconceptions head-on, Johar’s account of Bachchan’s behavior stands in stark contrast to her rumored predilections. “Aunty J, as I affectionately refer to her, is the antithesis of the common misconception,” he stated during an intimate interview with Mid-day’s Sit With Hitlist segment. “She exhibits unparalleled kindness, warmth, and generosity that I’ve had the privilege to witness.”
Her charm and concern weren’t limited to the limelight or fellow actors but extended to the film’s crew. In a display of remarkable thoughtfulness, Bachchan made it a point to memorize the names of all 14 assistant directors, taking note of their personal lives and responsibilities. She took on a nurturing role, often treating overworked crew members to samosas, sweets, or celebratory cakes, creating an atmosphere filled with affection and appreciation on set.
Jaya Bachchan’s reputed aversion, Johar clarified, is not aimed at photographers as individuals, but at the invasion of her personal space they often represent. The director emphasized the distinction between the actress’s onscreen persona and her genuine self, a gulf that has seemingly been overlooked or misinterpreted by many observers and commentators.
Karan Johar revealed his deliberate casting decision to present Bachchan in an avant-garde light, stepping away from the endearing maternal figures and the iconic ‘Guddi’ girl roles of her earlier career. This choice to introduce grey shades and an unexplored antagonistic side to her filmography was an artistic gamble that he believed paid off, demonstrating her versatility as an actress.
To further dispel any lingering doubts about Bachchan’s true nature, Johar painted a picture of a woman brimming with humor, camaraderie, and mischievous glee. Her interactions with the crew often featured playfulness and pranks, a far cry from the stern exterior attributed to her by way of public misconceptions.
Summarily, Johar beseeched detractors, particularly those vocal on social media platforms like Twitter, to broaden their understanding of the actress. He wished for all to experience the depth of her magnanimity and the true essence of Jaya Bachchan, a persona that sharply contrasts with the onscreen authoritarian figure she so convincingly portrays.
Thus, within the collaborative film environment of ‘Rocky Aur Rani Kii Prem Kahaani’, Jaya Bachchan emerged not merely as an actress fulfilling her role but as the heart and soul that enlivened the set with warmth and an immeasurable spirit of caring; a revelation by Karan Johar that reasserts her stature beyond the camera’s gaze.
