In an industry where the quest for profound and challenging roles never ceases, Kriti Sanon’s ambitious trajectory as an actor takes a riveting turn. Fresh off her National Award win for Best Actress for her role in Mimi, Sanon is now poised to captivate audiences as a humanoid robot experiencing love in the highly anticipated film Teri Baaton Mein Aisa Uljha Jiya, Bollywood’s romantic offering this season.
Portraying a humanoid in a bustling metropolis of dreams, Kriti Sanon, an ambitious spirit from Delhi, has gracefully found her place in Mumbai where persistence breeds success. Sanon delves into her experiences eloquently, sharing insights about the scarcity of genuine love stories and her foray into the realm of creative production.
Kriti Sanon, in a candid interaction, reveals the unique challenge of embodying a character such as Sifra, the humanoid at the heart of the film’s narrative. Stepping into a canvas painted with bits of machine and strokes of humanity, Sanon faced the arduous task of convincing not only the audience but also herself of Sifra’s nearly-human essence. She describes the meticulous process of portraying an AI being whose presence is so authentically human that viewers forget she is not of flesh and bone.
Pushing the boundaries of traditional storytelling, Teri Baaton Mein Aisa Uljha Jiya invites audiences into a world of speculative fiction where a love affair with a robot isn’t just possible but feels almost inevitable. Sanon remarks that technological advances, such as those exemplified by Sophia, the humanoid robot granted residency in Saudi Arabia, suggest that our cinema may soon reflect our reality.
Speaking of her character, Sanon touches upon the subtleties of her performance as Sifra. She details how she had to consciously minimize humanlike gestures and emotional impulses, emulating the swift processing capabilities of a robotic mind. Her engineering background propelled her quest for logic even within the imaginative space of the character’s behavior, resulting in a performance finely balanced between the mechanical and the organic.
This pursuit of finding authenticity in storytelling extends to Sanon’s observations on contemporary love stories. According to her, the emotional landscape has changed; what was once a deep, vital force now seems fleeting in a fast-paced world. Stories of love and its conflicts, no longer hindered by villainous characters or disapproving families, reflect a generation seemingly lost in the definition of genuine affection.
Sanon’s evolution in the industry is as much a product of her natural talent as it is of her desire to delve deeper into the craft. Her involvement in Mimi was a stepping stone, leading her to a realization: Why wait for others to believe in a vision when she could take the reins herself? This willingness to learn, adapt and grow continues to shape her journey.
The respect she has garnered within the industry since her debut is evident as more substantial roles come her way, validating her craft through accolades like the National Award. This recognition empowers her to take bolder risks, to explore narratives without the shadow of doubt.
As Teri Baaton Mein Aisa Uljha Jiya prepares for its theater release on February 9, both audiences and contemporaries eagerly anticipate Kriti Sanon’s portrayal of Sifra. In an ever-evolving cinematic world, where boundaries between the artificial and the emotional blur, Sanon steps forward—a testament to the potential for storytelling to intertwine with the whispers of future possibilities.
