In a candid conversation that has sent ripples through the entertainment domain, famed performer Nora Fatehi shared a distressing insight into the predatory behavior prevalent within the film industry. Fatehi, who has emerged as a powerhouse talent across multiple artistic fronts, didn’t shy away from addressing the harrowing experiences artists can encounter.
Nora Fatehi, who has recently been lauded for her role in the film ‘Madgaon Express’, bravely spoke out about the unnerving undercurrents of the cinematic world. Seated across from interviewer Ranveer Allahbadia, Fatehi described a stark reality masked behind the glitz and glamour of stardom. “When I’ve met other stars, they are inherently predators, when they use sex as a way to bait you into work. They sniff out victims,” she revealed. This troubling revelation provides a look into the dark tactics employed by some in positions of influence and fame, igniting a discourse on the widespread issue of exploitation in the arts.
Nora’s professional journey began with her debut in Bollywood in the 2014 film ‘Roar: Tigers of the Sundarbans’, and she has since carved a niche for herself with her electrifying dance performances. Audiences worldwide have witnessed her talent in blockbusters such as ‘Baahubali: The Beginning’, ‘Satyamev Jayate’, and the chart-topping number ‘Dilbar Dilbar’. Her prowess on the dance floor was further showcased in hits like ‘O Saki Saki’, and she has also graced the small screen as a contestant on the reality show ‘Bigg Boss’.
Continuing the interview, Fatehi expressed how she brings an intimidating personality to the table, which possibly serves as a deterrent to those who might otherwise consider targeting her. “But my personality is a little intimidating. They kind of get a little bit like, ‘Oh not with her because she could talk’,” Fatehi mentioned, potentially signaling her assertiveness as a safeguard against industry predators.
Alongside addressing these pressing issues, Nora also discussed her dedication to her multifaceted career. When questioned about juggling the many hats she wears – actor, producer, singer, dancer, and performance artist – she responded with assertive simplicity, “I just work. I’m alive for work. I work in the morning, I work at night.”
Her passion for her craft is palpable as she recounts her gratitude for the life she leads, recognizing the dream that drives her and the gratitude she feels for the opportunities that have propelled her forward. “This is my dream, my aspiration, to direct, produce, act, dance. So I’m very lucky to be in this position,” Fatehi humbly stated.
The narrative drive of ‘Madgaon Express’, showcasing three childhood friends and their serendipitous journey through Goa, has served as yet another canvas for Nora to showcase her thespian talents. Fatehi has not only made a mark in the acting space with appearances opposite Varun Dhawan in ‘Street Dancer 3D’ but also earned critical acclaim as evidenced by her Best Supporting Actress award for her role in ‘Batla House’ at the 66th Filmfare Awards.
Her influence and artistry have reached global audiences, most notably with her captivating performance at the closing ceremony of the FIFA World Cup where she performed the anthem ‘Light the Sky’ alongside international artists Balqees, Rahma Raid, and Manal. Not limiting her talents to the silver screen, Nora has shared her expertise as a judge on popular dance reality shows, including ‘Jhalak Dikhhla Jaa’ and ‘India’s Best Dancer’.
Fatehi’s bravery in speaking out against predatory practices in the industry not only undrapes a veil of concern but also prompts a reflection on the protective measures and reforms required to safeguard the artists of tomorrow. It is the candor of figures like Nora that sparks a necessary dialogue, calling for a movement against exploitation in the backdrop of filmmaking and beyond. (With inputs from ANI)
