Usman Riaz’s animated feature film, *The Glassworker*, has been chosen as Pakistan’s official submission for the 2025 Academy Awards. This notable event marks a historic moment for Pakistan’s film industry, as *The Glassworker* is the country’s first hand-drawn animated feature film selected for such a prestigious accolade.
Riaz’s debut film, which premiered this year at the renowned Annecy International Animation Film Festival, is crafted in the enchanting tradition of Japanese hand-drawn anime. The narrative follows the unexpected and poignant friendship between two young artists, set against the sombre and tumultuous backdrop of war. Vincent, a young glassblower, and Alliz, a talented violinist, come from disparate worlds but find common ground through their art and mutual support, showcasing the timeless themes of friendship, resilience, and the human spirit.
The movie’s setting, a fantastical world that mirrors the complexity and beauty of Studio Ghibli’s creations, offers a unique blend of rich, hand-drawn animation and a compelling storyline that transcends cultural and geographical boundaries. This allows *The Glassworker* to resonate with a global audience, making it a formidable contender for the Academy Award for Best International Feature.
During an interview with *The Hindu*, Usman Riaz revealed the inspirations behind his film. “I love Studio Ghibli, Hayao Miyazaki, Mamoru Hosoda, Satoshi Kon, and Makoto Shinkai,” Riaz explained, attributing his awe-inspiring animation style and narrative depth to these legendary figures in the world of Japanese animation. His admiration for such iconic directors and creators is palpably reflected in *The Glassworker*, which harmoniously blends emotive storytelling, visual grandeur, and intricately animated sequences.
The film’s journey began with its theatrical release in Pakistan in July, where it received critical acclaim and captured the hearts of audiences. Its selection as Pakistan’s official submission is not only a significant milestone for Riaz but also a moment of pride for the nation’s burgeoning film industry. The choice underscores the increasing recognition of diverse cinematic voices from Pakistan on the global stage.
In the international arena, *The Glassworker* will compete for the highly coveted Oscar in the Best International Feature category. The competition is fierce, with other countries putting forward their best cinematic works.
. For instance, India has officially submitted *Laapataa Ladies*, a satirical feminist comedy directed by Kiran Rao, aimed at securing a nomination in the same category. This highlights the diverse range of stories and creative talents from the South Asian subcontinent vying for international recognition.
The final shortlist of films for the Best International Feature category will be announced by Academy voters in December. The anticipation and excitement are tangible as filmmakers and audiences alike await to see which films will make the cut.
*The Glassworker* stands as a testament to Usman Riaz’s extraordinary vision and capability as a filmmaker. His efforts in creating a film that combines artistic proficiency, emotional depth, and a universally appealing story have already earned him a noteworthy spot in the film community. The film’s acknowledgment by the Academy further signifies a step forward for the representation of Pakistan’s cultural narratives in global cinema.
Riaz’s ambition to produce Pakistan’s first hand-drawn animated feature is an inspiring narrative in itself. The laborious and meticulous process of hand-drawn animation demands immense patience, skill, and dedication. His success is not only a personal achievement but also a beacon of inspiration for aspiring filmmakers and artists in Pakistan and beyond, showcasing that with perseverance and passion, even the grandest of dreams can become a reality.
As the announcement of the Oscar nominations draws near, the global film community watches with bated breath. Will *The Glassworker* secure a position in the highly sought-after list of nominees? Regardless of the outcome, Riaz’s film has already made an indelible impact, bringing attention to the unique and vibrant stories emerging from Pakistan.
In conclusion, the journey of *The Glassworker* from its premiere at Annecy to being Pakistan’s submission for the Oscars encapsulates the essence of innovation, cultural expression, and artistic excellence. It is a landmark achievement that will encourage more filmmakers to explore and embrace the rich traditions of hand-drawn animation, thereby contributing to the ever-evolving landscape of global cinema.
