At a time when the term “youthful entertainer” often misleads audiences into expecting fresh cinematic experiences, only to end up with rehashed narratives from the past, it is truly a pleasure to encounter a film that embodies the essence of contemporary youth culture. “Premalu,” the latest offering from director Girish AD, effortlessly illustrates the lives of its characters, making no discernible attempt to root them artificially in the present—they simply, and convincingly, inhabit their world.
The parallels between Girish AD’s previous works “Thanneer Mathan Dinangal” and “Super Sharanya” and his new film “Premalu,” are clear, but not overbearing. Naslen, who takes on the role of the film’s protagonist, Sachin, echoes the familiar archetype of a love-struck yet under-confident individual—a motif akin to Jaison from Thanneer Mathan Dinangal and Sharanya from Super Sharanya. Each of these characters navigates the tender but often tumultuous search for romantic connection, seemingly cursed from the outset. The comical adversary, embodied by Shyam Mohan as Aadhi, also finds his kinship in the previous films, though Reenu, portrayed by Mamitha Baiju, is a refreshing departure as the ambitious IT professional pursued by the down-on-his-luck engineer Sachin, without an obvious predecessor.
Despite these recurring themes, “Premalu” distinguishes itself with an unmistakable air of originality—not by inventing new narratives, but by embracing a unique presentation of the familiar ones. The setting transitions from the schoolyard to the college campus and finally, into the lives of young adults stepping into their fledgling careers, wrestling with the newfound autonomy that comes from stepping out from under their parents’ roofs. This continuity and evolution in Girish’s repertoire prevent the story from stagnating.
Girish, in collaboration with co-writer Kiran Josy, has meticulously refined the script to ensure a lively and engaging pace, and their efforts are palpable. The chemistry between the characters, especially between Sachin and Reenu as well as Sachin and Amal Davis, played by Sangeeth Prathap—the latter being integral to the film’s comedic highlights—keeps the narrative vibrant and captivating.
Although stretching over 156 minutes, “Premalu” justifies its length with a consistently compelling narrative arc. Even when the conclusion seems foregone, the film maintains its energetic momentum, thanks to the dynamic scene progression and Vishnu Vijay’s stirring musical accompaniment. Naslen, Mamitha, and the rest of the young ensemble cast blend seamlessly into their roles, enhancing the film’s authenticity.
Girish’s debut with Thanneer Mathan Dinangal was impressive, and though Super Sharanya may have only half hit the mark, it is evident he has refined his craft with “Premalu.” The movie stands as a testament to his ability to reinvigorate a common tale through humor and empathetic storytelling. As a work that sparkles with freshness, it resonates with audiences and serves as a powerful reflection of the youth’s pulse.
“Premalu” graces theaters now, promising audiences a charming and resonant experience that transcends the conventional bounds of youthful cinema, and establishes Girish AD as a storyteller who truly understands the beats of the younger generation’s heart.
